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I was doing a show in Minneapolis or Denver. Somewhere like that. I was in the hotel room, and my man, Jahan, Kehlani’s producer, we were in the hotel room listening to the beat. The beat was just riding. “Nah, this beat is too perfect.” It was just too easy for me to connect that. I started making the melody. I started off saying, “Nah nah nah nah,” and I followed up with words. I kept on saying that, “Drowning!” and that just hit. I said, “Nah this song is going to be lit for me. It’s gonna be platinum for me.”
I ain’t gonna lie. It took me like 20 minutes. It don’t sound like it, but to me it was too easy.
Yeah, I use Auto-Tune on this record. You see how I’m saying, “I’m drowning?” I use an effect to make it sound like I’m really underwater a little bit. Put a little filter on the beat. I didn’t really do too much to it, though. My voice just did all the work. My voice be doing all the work most of the time. Only when I go extra, I’ll throw the extra Auto-Tune in it. But sometimes I don’t even really need that. A lot of people be like, “Why you doing Auto-Tune?” But I just like to hear that sauce, you feel me? It’s just for the sauce nowadays. Young people love to hear that Auto-Tune. That thing that sounds good. That thing that really get to the ear.