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• A Wrinkle In Time Movie
• Storm Reid

A Wrinkle in Time is a 2018 American science fantasyadventure film directed by Ava DuVernay and written by Jennifer Lee and Jeff Stockwell, based on Madeleine L'Engle's 1962 novel of the same name. Produced by Walt Disney Pictures and Whitaker Entertainment, the story follows a young girl who, with the help of three astral travelers, sets off on a quest to find her missing father. The film stars Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Storm Reid, Gugu Mbatha-Raw, Michael Peña, Zach Galifianakis, and Chris Pine.

A Wrinkle In Time Movie

It is Disney's second film adaptation of L'Engle's novel, following a 2003 television film. Development began in 2010, with DuVernay signing on to direct in February 2016. Principal photography began on November 2, 2016 in Los Angeles, California. Near the end of filming, production moved to New Zealand, where photography ended on February 25, 2017. With an estimated production budget of $103 million, the film became the first live-action film with a nine-digit budget to be directed by a non-white woman.^[6] Additionally, AWrinkle in Time was notable in that Ava DuVernay was the first African-American woman to direct a film that earned and lost at least $100 million domestically.^[7][8]

Download game half life untuk pc gratis. • Physics: From pebbles to water to 2-ton trucks respond as expected, as they obey the laws of mass, friction, gravity, and buoyancy. With 40 distinct facial “muscles,” human characters convey the full array of human emotion, and respond to the player with fluidity and intelligence.

With a total production and marketing budget of around $250 million,^[9] the film was one of the biggest box office bombs in history, with losses of up to $131 million.^[10][11][12] The film received negative reviews, with critics taking issue 'with the film's heavy use of CGI and numerous plot holes', while others 'celebrated its message of female empowerment and diversity'.^[13]

• 3Production
• 6Reception

Plot[edit]

Thirteen-year-old middle school student Meg Murry struggles to adjust to her school and home life since her father Alex, a renowned scientist, mysteriously disappeared while studying astrophysics when she was very young. Both Meg and her mother Kate believed he solved the question of humanity's existence and theorized that he was teleported to another world.

One evening, Meg's younger brother Charles Wallace welcomes Mrs. Whatsit, a red-haired stranger in an extravagant white dress, into the Murry family house. Mrs. Whatsit claims that the tesseract, a type of space-travel Alex was working on, is real. The next day, while walking their dog, they meet one of Meg's classmates, Calvin O'Keefe He joins them to go to the house of Mrs. Who, a friend of Charles Wallace's and a strange woman who speaks only in quotations.

Meg and Charles Wallace invite Calvin to dinner. Afterwards Meg and Calvin go into her backyard where Mrs. Whatsit appears with Mrs. Who and another woman, Mrs. Which. The three reveal themselves as astral travelers and lead Meg, Calvin, and Charles Wallace through a tesseract, taking them to a distant planet named Uriel, third planet from the star Malak in Messier 101.

After learning from the flowers that Alex has been to Uriel and since departed, Mrs. Whatsit transforms into a beautiful green flying creature and flies the children into the atmosphere where they see a dark shadow known as The IT. After gaining the women's trust, Meg and the others tesser to another planet called Orion in the 'belt' of the name sake constellation to meet with a seer called Happy Medium to seek his help to find Alex.

Happy Medium shows them that Meg's father tessered to Uriel, then Ixchel and got trapped when he tessered to Camazotz, The IT's homeworld. After Mrs. Which explains that The It represents all the greed, anger, pride, selfishness, and low self-esteem in the world, she shows the children personal examples of these characteristics, including an elderly friend and neighbor of Charles Wallace's getting mugged at a bus stop, Meg's school bully Veronica Kiley's extreme self-consciousness about her weight, and that Calvin, despite being popular at school, is forced and abused by his father to be a perfectionist. Given the news that Alex is on dangerous and evil Camazotz, the three Mrs. insist that they all travel back to Earth to regroup and make a plan, but Meg's strong will to not leave without her father overrides the tesseract, and she unintentionally redirects them to Camazotz.

Upon arriving in a field on Camazotz, Mrs. Which, Mrs. Whatsit, and Mrs. Who find they are unable to stay because Camazotz's evil is stronger than their light. Before they depart, they bestow gifts: Mrs. Who gives Meg her glasses, Mrs Whatsit gives Meg the knowledge of her faults, and Mrs Which gives the command to never separate.

After the Mrs. leave, trees sprout up out of the ground and a forest appears. Meg and Calvin get separated from Charles Wallace by the wild forest. They desperately race to get to the wall to prevent a tornado-earthquake storm called the Land Monster that is destroying the forest. Once creatively getting past the wall, they reunite with Charles Wallace and stumble across an neighborhood where all the children are bouncing balls in perfect sync. After calling their children inside, a lady invites them to come inside her house for a meal, Meg declines the offer and reminds Calvin and Charles Wallace to not trust anyone in Camazotz.

Next, the surroundings change and the three children stumble across a beach where they meet The IT in its bodyguard form, Red. He offers the starving children food and tells them that Alex is safe and happy. He says there is nothing to worry about, but Calvin and Meg realize something is wrong when Charles Wallace proclaims that the food tastes like sand. When Red starts repeating the times tables, Charles Wallace is hypnotized by the rhythm, enabling The It to take control of his mind.

As Meg and Calvin pursue Red and Charles Wallace, they find themselves in a seemingly empty, white, spherical room after Meg pushes umbrellas out of her way, the 'CENTRAL Central Intelligence.' Charles Wallace's personality is different and he insults Meg and Calvin, while Red shuts down and disappears. Using Mrs. Who's glasses, Meg discovers and then climbs an invisible staircase to a room where her father is imprisoned. After a tearful reunion, Meg brings Alex out of captivity, but Charles Wallace, under the influence of The IT's power, forcefully drags them to meet his master. As Calvin and Meg fall under The IT's power, Alex opens another tesser and prepares to escape with the children, abandoning Charles Wallace. Meg refuses and projects out of the tesser herself, leaving her alone. When she confronts Charles Wallace, she realizes The IT uses deception and hatred to fuel his power. Expressing her love for her brother and using the knowledge that she is imperfect, Meg frees Charles Wallace and weakens The IT. The three Mrs. congratulate Meg's victory and she and Charles Wallace tesser back home.

After returning home, Meg, Charles Wallace reunited with her dad and mom and they assure each other that they love each other. Calvin leaves Meg to talk to his father after saying a few words to Meg and she stares at the sky, thanking the Mrs.

Cast[edit]

• Oprah Winfrey as Mrs. Whitch , an astral being as old as the universe
• Reese Witherspoon as Mrs. Whatsit, an astral being from the planet Uriel
• Mindy Kaling as Mrs. Who, an astral being from the planet Ixchel
• Storm Reid as Meg Murry, a gifted young girl
  • Lyric Wilson as a young Meg
• Levi Miller as Calvin O'Keefe, Meg's classmate and friend
• Deric McCabe as Charles Wallace Murry, Meg's precocious adopted six-year-old brother
• Chris Pine as Dr. Alexander Murry, Meg and Charles Wallace's long-lost father and Kate's husband
• Gugu Mbatha-Raw as Dr. Kate Murry, Meg and Charles Wallace's mother and Alex's wife
• Zach Galifianakis as Happy Medium, a seer from the planet Orion.
• Michael Peña as Red,^[14] a form of the IT
  • David Oyelowo as The It, Red's true diabolical form^[14]
• Andre Holland as James Jenkins, the principal of Meg, Calvin and Charles Wallace's school^[14]
• Rowan Blanchard as Veronica Kiley, a student who bullies Meg^[14]
• Bellamy Young as Camazotz Woman,^[14] a mother from the Camazotz neighbourhood
• Conrad Roberts as Elegant Man,^[14] an elder neighbour and friend of Charles Wallace.
• Yvette Cason as Teacher,^[14] a gossipy, jealous, teacher
• Will McCormack as Teacher,^[14] another gossipy, jealous teacher
• Daniel MacPherson as Mr. O'Keefe,^[14] Calvin's abusive father

Production[edit]

In October 2010, Walt Disney Pictures retained the film rights for the 1962 novel A Wrinkle in Time, by Madeleine L'Engle, which had previously been made as a 2003 television film. Following the financial success of Tim Burton's Alice in Wonderland (2010), Disney hired Jeff Stockwell to write the screenplay for Cary Granat and his new Bedrock Studios. Granat had previously worked with Disney on the Chronicles of Narnia and Bridge to Terabithia films.^[15] The project's budget was slated to be $35 million, which the company compared to 'District 9 and Bridge to Terabithia,' both of which were made for less than $30 million.^[16] However, A Wrinkle in Time was part of a new California Film Commissiontax credit program, which offset production costs considerably.^[17] On August 5, 2014, Jennifer Lee was announced as the screenwriter, taking over from Stockwell, who wrote the first draft.^[18][19] On February 8, 2016, it was reported that Ava DuVernay had been offered the job of directing the film, and she was confirmed to direct later that same month.^[20][21] She became the first non white woman to direct a live-action film with a production budget of more than $100 million.^[22] The decision received positive sentiments in the media industry. Oprah Winfrey was happy to see this because DuVernay herself broke barriers for non white people in the film industry.^[23] 'So I do imagine, to be a brown-skinned girl of any race throughout the world, looking up on that screen and seeing Storm, I think that is a capital A, capital W, E, some, AWESOME, experience.'^[23] Irene Monroe of The Cambridge Day expressed her feelings that Ava DuVernay was a superb choice of a director, due to the fact that she was able to correctly highlight and expose the struggles experienced by young African-American girls.^[23]

Casting[edit]

On July 26, 2016, Variety reported that Oprah Winfrey began final negotiations to join the film to play Mrs. Which, the eldest of the three Mrs. Ws, celestial beings who guide the children along their journey.^[24] On September 7, 2016, Reese Witherspoon and Mindy Kaling were in talks to join the film, with Witherspoon to play Mrs. Whatsit, a chatty, grandmotherly sprite, and Kaling to play the quotation-reciting Mrs. Who.^[25] On September 13, 2016, Storm Reid was cast in the lead role of Meg Murry, a young girl traumatized by the disappearance of her scientist father years before.^[26] In October 2016, Gugu Mbatha-Raw and Chris Pine were cast as Meg's parents, Drs. Kate and Alex Murry.^[27][28] On November 1, 2016, additional cast announcements included Zach Galifianakis as Happy Medium, André Holland as Principal Jenkins, Levi Miller as Calvin, and Deric McCabe as Charles Wallace, along with Bellamy Young, Rowan Blanchard and Will McCormack.^[29] Later, Michael Peña joined the cast to play Red.^[30] The film producers are James Whitaker and Catherine Hand.^[29]

Filming[edit]

Principal photography on the film began November 2, 2016, in Los Angeles, California.^[29][31][32]Tobias A. Schliessler was the film's cinematographer, Naomi Shohan as production designer, Paco Delgado as costume designer, and Rich McBride as the film's visual effects supervisor.^[29][33] During production, DuVernay asked McBride to be as flexible as possible on visual effects sequences to enable her to make changes and incorporate new ideas during shooting.^[34] The director decided to put 'a certain Stephen King website' in, and a 'colorful post-credits scene' in it.^{[citation needed]}

Filming for A Wrinkle in Time took place in multiple locations including Eureka, California, in Humboldt County, starting November 29, 2016.^[35] Filming also took place at Eureka's Sequoia Park, located next to Sequoia Park Zoo.^{[citation needed]}

After Los Angeles, production moved to New Zealand for two weeks.^[29] During the last two weeks of February 2017, filming locations for A Wrinkle in Time were in Central Otago, New Zealand.^[36] Actors and crew were in New Zealand for two weeks to shoot scenes in the Southern Alps, including at Hunter Valley Station near Lake Hāwea, with cast and crew treated to a traditional Māoripowhiri and karakia.^[37] Filming wrapped in New Zealand's South Island after two weeks, and DuVernay declared the cast and crew's love for New Zealand in an Instagram post.^[38]

Music[edit]

On September 28, 2017, Ramin Djawadi was announced as the composer for the film, replacing Jonny Greenwood, who was initially chosen to compose, and scored the film.^[39] On February 20, 2018, it was announced that the soundtrack would feature appearances from Sade, Sia, Kehlani, Chloe x Halle, Freestyle Fellowship, DJ Khaled, and Demi Lovato.^[40]

Release[edit]

A Wrinkle in Time premiered at the El Capitan Theatre on February 26, 2018, with its theatrical release on March 9, 2018.^[41][42] This was a month ahead of its initial release date of April 6, 2018.^[43]

A Wrinkle in Time was released by Walt Disney Studios Home Entertainment on 4K UHD Blu-Ray, Blu-Ray, and DVD on June 5, 2018.^[44]

Reception[edit]

Box office[edit]

A Wrinkle in Time grossed $100.5 million in the U.S. and Canada, and $32.2 million in other territories, for a worldwide total of $132.7 million.^[5] With a combined $250 million spent on production and advertisement, the film needed to gross at least $400 million worldwide to be profitable.^[45][11][12] Following Disney's Q2 earnings report in May 2018, Yahoo! Finance deduced the film would lose the studio $86–186 million,^[46] and in April 2018, Deadline Hollywood calculated the film lost $130.6 million, when factoring together all expenses and revenues.^[47]

https://juicegol.netlify.app/how-to-download-text-tones.html. In the U.S. and Canada, A Wrinkle in Time was released alongside The Hurricane Heist, Gringo, and The Strangers: Prey at Night, and was projected to gross $30–38 million from 3,980 theaters in its opening weekend.^[48] It made $10.2 million on its first day, including $1.3 million from Thursday night previews. It went on to debut to $33.3 million, finishing second behind Disney's own Black Panther ($41.1 million in its fourth weekend).^[49] In its second weekend, the film made $16.6 million, dropping 50% to fourth place.^[50] On June 15, in its 15th week of release, the film returned to a total of 285 theaters, often as part of a double-feature with Incredibles 2. It ended up making $1.7 million (a 1,600% increase from the previous weekend), pushing the total U.S. gross to $100 million.^[51]

Internationally, the film opened in six countries alongside the U.S. and grossed $6.3 million in its opening weekend, Russia being the largest market with $4.1 million.^[52]

Critical response[edit]

On review aggregator website Rotten Tomatoes, the film has an approval rating of 42% based on 306 reviews, and an average rating of 5.26/10. The website's critical consensus reads, 'A Wrinkle in Time is visually gorgeous, big-hearted, and occasionally quite moving; unfortunately, it's also wildly ambitious to a fault, and often less than the sum of its classic parts.'^[53] On Metacritic, the film earned a weighted average score of 53 out of 100, based on 52 critics, indicating 'mixed or average reviews.'^[54] Audiences polled by CinemaScore gave the film an average grade of 'B' on an A+ to F scale, while PostTrak reported filmgoers gave it a 75% overall positive score; audience members under age 18 gave it an average grade of 'A–' and a positive score of 89%.^[49]

Alonso Duralde of TheWrap praised the film's visuals and performances, writing, 'Awash in bold colors, bright patterns and ebullient kids, director Ava DuVernay's new take on 'A Wrinkle in Time' dazzles its way across time and space even if it doesn't quite stick the landing.'^[55] David Ehrlich of IndieWire gave the film a 'C+' and praised what he described as its ambition, saying: 'It almost doesn't matter that the movie is too emotionally prescriptive to have any real power, or too high on imagination to leave any room for wonder; DuVernay evinces such faith in who she is and what she's doing that 'A Wrinkle in Time' remains true to itself even when everything on screen reads false.'^[56]Jamie Broadnax, a freelance writer and member of the Critic's Choice Awards, tweeted that after seeing the film for the second time, she still was unable to conceptualize and take in the visuals displayed throughout the film and the numerous performances from various characters.^[57] Kat Candler, an American independent filmmaker, stated that the film was a 'gorgeous love letter to the warriors of the next generation'.^[57] Mercedes Howze of the New Pittsburgh Courier stated that the visuals were extraordinary and that the film 'continues to make lasting impressions on innocent minds to change what it looks like to be a young black woman'.^[58]

Vince Mancini of Uproxx gave the film a negative review, saying, '..if anything, the trouble with 'Wrinkle' is that you never really get a sense of DuVernay's personal touch. In fact, it feels a lot like Brad Bird's big budget, equally smarmy 2015 Disney film, 'Tomorrowland.' Both attempt to be so broad and universal that they feel disconnected from anything human. But universality doesn't work that way, no matter how much you tell everyone to think like a kid.'^[59] Conner Schwerdtfeger, former entertainment journalist for CinemaBlend, stated that the movie was 'all over the place and underperformed,' but that DuVernay deserves some praise for the attempt at filming the seemingly unfilmable.^[57] Sean Mulvihill, actor in 'Living Luminaries: On the Serious Business of Happiness,' stated that the film had no flow, and although some moments 'come alive' in the film, it could not save it.^[57]Todd McCarthy of The Hollywood Reporter felt that the film was 'unable to charm or disarm' the audience.^[60] Wenlei Ma, film and TV critic of news.com.au, stated that, following the halfway mark in the film, movie-goers find themselves 'not caring about the other characters besides Meg' and that it seemed to 'drag' in the latter half.^[61] She highlighted the film's disappointment, regardless of the value parents find in the messages for children via quotations from Gandhi and Nelson Mandela.^[61]

Accolades[edit]

See also[edit]

References[edit]

1. ^'A WRINKLE IN TIME (PG-13)'. British Board of Film Classification. 23 February 2018. Retrieved 24 February 2018.
2. ^Frost, John (12 January 2018). 'Director Ava DuVernay discusses working on 'A Wrinkle in Time''. The Disney Blog. Retrieved 22 June 2018.
3. ^McDonald, Soraya Nadia (8 March 2018). ''A Wrinkle in Time' has Ava DuVernay, Oprah and a $100 million budget. But it still needs a better villain'. The Undefeated. ESPN Internet Ventures. Retrieved 9 March 2018.
4. ^D'Alessandro, Anthony (11 March 2018). ''Black Panther' Rules 4th Frame With $41M+; 'A Wrinkle In Time' At $33M+: A Diversity & Disney Dominant Weekend'. Deadline Hollywood.
5. ^ ^ab'A Wrinkle in Time (2018)'. Box Office Mojo. Retrieved 8 July 2018.
6. ^Cruz, Lenika (4 August 2016). 'The First Woman of Color to Make a $100 Million Movie'. The Atlantic.
7. ^'Ava DuVernay becomes first black woman to direct a $100 million movie'. Chicago Tribune. Retrieved 24 June 2018.
8. ^Keegan, Rebecca (3 August 2016). 'With 'A Wrinkle In Time,' Ava DuVernay will pass a milestone'. Los Angeles Times. Retrieved 19 February 2017.
9. ^Barnes, Brooks (11 March 2018). ''Black Panther' Dominates 'Wrinkle in Time' at Box Office'. The New York Times.
10. ^Gabbi Shaw (27 February 2017). 'The biggest box office flop from the year you were born'. Insider. Retrieved 21 June 2018.
11. ^ ^abShamsian, Jacob (12 March 2018). '5 reasons why Disney's fantasy epic 'A Wrinkle in Time' failed at the box office'. Insider. Retrieved 21 April 2018.
12. ^ ^abMcClintock, Pamela. ''A Wrinkle in Time': Why It Has Underperformed at the Box Office'. The Hollywood Reporter. Prometheus Global Media. Retrieved 20 April 2018.
13. ^Chuba, Kirsten (7 March 2018). ''A Wrinkle in Time' Reviews: What the Critics Are Saying'. Variety. Penske Business Media. Retrieved 7 March 2018.
14. ^ ^abcdefghi'A Wrinkle in Time Press Kit'(PDF). Walt Disney Studios. Retrieved 7 March 2018.
15. ^Fernandez, Jay (14 October 2010). 'Bedrock taps Jeff Stockwell to adapt 'Wrinkle''. The Hollywood Reporter. Prometheus Global Media. Retrieved 21 October 2014.
16. ^Pond, Steve (17 March 2010). 'Granat Launches Family-Oriented Bedrock Studios (Updated)'. TheWrap. Retrieved 21 October 2014.
17. ^Deutsch, Erik (2 August 2016). 'California's Film & TV Tax Credit Program 2.0 Gains First $100 Million-Plus Feature. Disney's 'Wrinkle in Time' Selected Via Program's Expanded Eligibility for Big-Budget Films; Latest $109 Million in Credits Allocated to 28 Projects'(Press release). California Film Commission.
18. ^McNary, Dave (5 August 2014). ''Frozen' Director Jennifer Lee to Adapt 'A Wrinkle in Time' for Disney'. Variety. Penske Business Media. Retrieved 21 October 2014.
19. ^Han, Angie (5 August 2014). ''Frozen' Director Jennifer Lee to Adapt 'A Wrinkle in Time''. /Film. Retrieved 21 October 2014.
20. ^Kit, Borys (8 February 2016). 'Lupita Nyong'o in Talks to Star in Sci-Fi Thriller With Ava DuVernay Eyed to Direct (Exclusive)'. The Hollywood Reporter. Prometheus Global Media. Retrieved 9 February 2016.
21. ^Fleming Jr, Mike (23 February 2016). 'Ava DuVernay Set To Direct Disney's 'A Wrinkle In Time'; Script By 'Frozen's Jennifer Lee'. Deadline Hollywood. Penske Business Media. Retrieved 24 February 2016.
22. ^Keegan, Rebecca (3 August 2016). 'With 'A Wrinkle In Time,' Ava DuVernay will pass a milestone'. Los Angeles Times. Retrieved 3 November 2016.
23. ^ ^abc'A black girl's take on 'A Wrinkle in Time': Equal opportunity to be America's darling | Cambridge Day'. www.cambridgeday.com. Retrieved 20 November 2018.
24. ^Kroll, Justin (26 July 2016). 'Oprah Winfrey Joins Ava Duvernay's 'A Wrinkle in Time' Adaptation'. Variety. Penske Business Media. Retrieved 27 July 2016.
25. ^Kit, Borys (7 September 2016). 'Reese Witherspoon, Mindy Kaling in Talks to Join Ava DuVernay's 'A Wrinkle in Time' (Exclusive)'. The Hollywood Reporter. Prometheus Global Media. Retrieved 14 September 2016.
26. ^Kit, Borys (13 September 2016). 'Rising Actress Storm Reid Nabs Starring Role in Ava DuVernay's 'A Wrinkle in Time' (Exclusive)'. The Hollywood Reporter. Prometheus Global Media. Retrieved 14 September 2016.
27. ^Patten, Dominic (21 October 2016). 'Chris Pine Joins Ava DuVernay's 'A Wrinkle In Time''. Deadline Hollywood. Penske Business Media. Retrieved 22 October 2016.
28. ^Lincoln, Ross A. (20 October 2016). 'Gugu Mbatha-Raw Signs On For Ava DuVernay's 'Wrinkle In Time''. Deadline Hollywood. Penske Business Media. Retrieved 22 October 2016.
29. ^ ^abcdeComing Soon (1 November 2016). 'Wrinkle in Time Cast Announced as Filming Begins'. ComingSoon.net. CraveOnline Media. Retrieved 2 November 2016.
30. ^Coming Soon (2 November 2016). 'Michael Pena Joins Disney's A Wrinkle in Time Movie'. ComingSoon.net. CraveOnline Media. Retrieved 3 November 2016.
31. ^DuVernay, Ava (30 October 2016). 'Happy Sunday. Posted this two years ago today. Was just four days from locking picture on SELMA. Didn't know how it would be received. Was nervous and eager and uncomfortable and grateful. Two years later. Today. I'm four days from shooting a new film: #WRINKLEINTIME..'Facebook. Retrieved 2 November 2016.
32. ^Chitwood, Adam (1 November 2016). 'Ava DuVernay's 'A Wrinkle in Time' Finalizes Cast as Filming Begins This Week'. Collider. Complex Media. Retrieved 2 November 2016.
33. ^DuVernay, Ava [@AVAETC] (30 October 2016). 'Fun with my friend + #WRINKLEINTIME DP Tobias Schliessler (Dreamgirls, Lone Survivor) at @LACMA's #ArtandFilm gala honoring Kathryn Bigelow' (Tweet). Retrieved 2 November 2016 – via Twitter.
34. ^Hogg, Trevor (3 April 2018). 'A WRINKLE IN TIME: 'The Emotional Visual Effects Show''. VFX Voice. Visual Effects Society. Retrieved 3 April 2018.
35. ^Schneider, Ruth (19 December 2016). ''Postcard of Humboldt County': 'Wrinkle in Time' brings local beauty to big screen'. Redwood Times. Retrieved 20 December 2016.
36. ^Croot, James (13 February 2017). 'A Wrinkle in Time: What you need to know about the latest movie to shoot in NZ'. Stuff.co.nz. Stuff Limited. Retrieved 13 March 2017.
37. ^'Oprah: 'It's a gorgeous day NZ' star shares chopper ride in NZ with millions'. New Zealand Herald. NZME Publishing. 18 February 2017. Retrieved 13 March 2017.
38. ^Newshub staff (26 February 2017). 'A Wrinkle in Time cast declare their love for New Zealand after filming wraps'. Newshub. Mediaworks TV. Retrieved 13 March 2017.
39. ^Rivera, Brittany (28 September 2017). 'A Wrinkle in Time Recruits Game of Thrones Composer'. Screen Rant. Retrieved 30 September 2017.
40. ^Snetiker, Marc (20 February 2018). 'A Wrinkle in Time soundtrack taps Sade, Sia, Game of Thrones composer'. Entertainment Weekly. Time. Retrieved 20 February 2018.
41. ^Lieberman, David (22 February 2017). 'Disney Films to Show on IMAX through 2019 with New Distribution Deal'. Deadline Hollywood. Penske Business Media. Retrieved 13 March 2017.
42. ^Lesnick, Silas (25 April 2017). 'Disney Movie Release Schedule Gets a Major Update'. ComingSoon.net. CraveOnline Media. Retrieved 25 April 2017.
43. ^D'Alessandro, Anthony (14 November 2016). 'Ava DuVernay's 'A Wrinkle In Time' To Hit Theaters In Spring 2018'. Deadline Hollywood. Penske Business Media. Retrieved 14 November 2016.
44. ^'A Wrinkle in Time – 4K Ultra HD Blu-ray'. High-Def Digest. Internet Brands. Retrieved 4 May 2018.
45. ^Hughes, Mark (8 March 2018). 'Review: 'A Wrinkle In Time' Delivers Weird, Fun, And Heartfelt Family Entertainment'. Forbes. Retrieved 10 March 2018.
46. ^Roberts, Daniel (8 May 2018). 'The lone loser in Disney's big quarter: 'A Wrinkle in Time''. Yahoo! Finance. Yahoo!. Retrieved 26 May 2018.
47. ^D'Alessandro, Anthony (8 April 2019). 'What Were The Biggest Bombs At The 2018 B.O.? Deadline's Most Valuable Blockbuster Tournament'. Deadline Hollywood. Retrieved 8 April 2019.
48. ^Rubin, Rebecca; McNary, Dave (6 March 2018). 'Box Office Preview: 'A Wrinkle in Time' Looks to Lure Kids as 'Black Panther' Stays Muscular'. Variety. Penske Business Media. Retrieved 6 March 2018.
49. ^ ^abD'Alessandro, Anthony (11 March 2018). ''Black Panther' Rules 4th Frame With $41M+; 'A Wrinkle In Time' At $33M+: A Diversity & Disney Dominant Weekend'. Deadline Hollywood. Penske Business Media. Retrieved 11 March 2018.
50. ^D'Alessandro, Anthony (18 March 2018). ''Black Panther' Keeps B.O. Treasure From 'Tomb Raider'; How 'I Can Only Imagine' Hit A $17M High Note'. Deadline Hollywood. Penske Business Media. Retrieved 18 March 2018.
51. ^D'Alessandro, Anthony (17 June 2018). ''Incredibles 2' Even Stronger As Pixar Pic Soars To Amazing $181M – Early Sunday Update'. Deadline Hollywood. Penske Business Media. Retrieved 17 June 2018.
52. ^Tartaglione, Nancy (11 March 2018). ''Black Panther' Tops $500M Overseas, $1B WW With $67M China Bow; 'Tomb Raider' Kicks Off – International Box Office'. Deadline Hollywood. Penske Business Media. Retrieved 11 March 2018.
53. ^'A Wrinkle in Time (2018)'. Rotten Tomatoes. Fandango Media. Retrieved 24 May 2019.
54. ^'A Wrinkle in Time Reviews'. Metacritic. CBS Interactive. Retrieved 4 April 2018.
55. ^Durande, Alonso (7 March 2018). ''A Wrinkle in Time' Film Review: Oprah Hitchhikes the Galaxy in Trippy Kiddie Treat'. TheWrap. Retrieved 7 March 2018.
56. ^Ehrlich, David (7 March 2018). ''A Wrinkle in Time' Review: Ava DuVernay's Eye-Popping Spectacle Proves that a Little Imagination Can Go a Long Way'. IndieWire. Penske Business Media. Retrieved 7 March 2018.
57. ^ ^abcdKatz, Brandon. 'What are Critics Saying about ‘A Wrinkle in Time’?' The New York Observer, Feb 27 2018, ProQuest. Web. 26 Nov. 2018
58. ^Howze, Merecedes J. 'Imagery is Everything in 'A Wrinkle in Time.' New Pittsburgh Courier, City Edition ed., March 2018, ProQuest. Web. 29 Nov. 2018
59. ^Mancini, Vince (7 March 2018). ''A Wrinkle In Time' Is A Series Of Affirmations In Search Of A Story'. Uproxx. Retrieved 7 March 2018.
60. ^McCarthy, Todd. 'A Wrinkle in Time: Ava DuVernay's Adaptation of the Classic Children's Novel is a Disappointment: Uninvolving, Visually Disjointed and Erratically Acted.' 2018: 89. Biography In Context; Gale. Web. <http://link.galegroup.com/apps/doc/A531710035/BIC?u=wash43584&sid=BIC&xid=ab5c1f16>.
61. ^ ^abWenlei Ma. 'MOVIE REVIEW: A Wrinkle in Time is Visually Spectacular but Unsatisfying.' (2018) Web.
62. ^'Teen Choice Awards: Winners List'. The Hollywood Reporter. 12 August 2018. Retrieved 13 December 2018.
63. ^Macke, Johnni (5 September 2018). '2018 People's Choice Awards: Complete List of Nominations'. E! News. Retrieved 13 December 2018.
64. ^'Annual StLFCA Awards'. 16 December 2018. Retrieved 22 December 2018.

External links[edit]

• A Wrinkle in Time on IMDb
• A Wrinkle in Time at AllMovie
• A Wrinkle in Time at Rotten Tomatoes

Hollywood’s Once and Future Classic

Why it took 54 years to turn A Wrinkle in Time into a movie

By Eliza Berman | Photograph by Michal Pudelka for TIME

“Dear Mr. Disney”—

That’s how a 10-year-old girl named Catherine began her letter to the most powerful man in movies during the bitter, final months of 1963. She had experienced that year’s traumas like most children do, through the anxious whispers of adults, despair moving a few feet above her head. She wanted to tell Mr. Disney about a book that had given her hope, one she thought could do the same for a nation of kids who felt the world around them darkening. If only he would put its story on film. But she never sent the letter, setting it aside in a moment of resignation. Three years later, when Walt Disney died of lung cancer, she was inconsolable. Not only was the maestro of the Mouse House gone, but she couldn’t think of anyone else who could make that movie. So she resolved to do it herself one day.

Fifty-four years later, producer Catherine Hand nearly has. A Wrinkle in Time, a Disney movie based on Madeleine L’Engle’s 1962 novel of the same name, will come out on March 9, 2018. The film brings to life the story of Meg Murry, a gangly adolescent who travels across dimensions to rescue her scientist father. Meg is guided by a trio of guardian angels collectively called “the Mrs.” The book, and the movie, is about what it means to be a source of light in a world in which darkness seems only to proliferate. It also makes the case for thinking independently when conformity is the norm.

As a child, Hand assumed that the power to adapt Wrinkle rested with a single man. But it took a collective of women to finally do it: Hand, who later in life befriended the author; screenwriter Jennifer Lee, best known for writing and co-directing the Disney megahit Frozen; and Oscar-nominated director Ava DuVernay. Plus DuVernay’s cast. For the all-powerful trio of Mrs., she chose Hollywood’s own all-powerful: Oprah Winfrey, Reese Witherspoon and Mindy Kaling. And for the young hero at the center of it all, she will introduce moviegoers to Storm Reid.

As a novel, A Wrinkle in Time has been a mainstay of middle school English curricula for decades. It introduced the spiritual antecedent to Katniss Everdeen, Buffy the Vampire Slayer and Hermione Granger. And it posed a series of philosophical questions that are no less relevant in the era of Trump and Putin than they were in the time of Kennedy and Khrushchev. High stakes, in other words. As Winfrey sees it, Wrinkle the movie heightens the stakes even more. “I felt like we were making the new Wizard of Oz for another generation.”

“I felt like we were making the new Wizard of Oz for another generation.” -Oprah Winfrey

A Wrinkle in Time begins with the mother of all literary clichés: “It was a dark and stormy night.” But what follows is wholly original. When Wrinkle was first published, L’Engle was 17 years into a writing career that would span fiction, nonfiction, poetry and theater. The idea for the book came to her during a family camping trip when the names of three old-as-time ethereal beings—Mrs. Whatsit, Mrs. Which and Mrs. Who—“popped” into her mind.

She had been on something of a cosmology bender, soaking up the works of Arthur Eddington, Max Planck and Albert Einstein. The theory of relativity interested her, and she’d come across the concept of a “tesseract”—familiar to anyone versed in advanced geometry or Marvel’s Avengers movies. From there, she conjured a story about a girl who “tessers,” or travels in the fifth dimension—or, as the writer put it, traverses a wrinkle in time.

The book is partly autobiographical. As a girl, L’Engle had felt gawky and unwanted. She would come home in the afternoon and write stories with heroes she aspired to be like. But when she created Meg Murry, she crafted one who shared what L’Engle felt as her own failings: Meg is an outcast who struggles in school, her scientist parents’ genes for brilliance taking some time to express themselves. She’s also angsty and angry and troubled by the injustices around her.

The story is driven by Meg’s search for her father, whose disappearance may have been inspired by the emotional distance of L’Engle’s own. With the help of the Mrs., her younger brother and a hunky classmate named Calvin, Meg seeks him by beaming to planets with names like Ixchel and Uriel. She learns of an evil Dark Thing descending over a world called Camazotz, where humans’ minds are plugged into a disembodied brain that controls them. On Camazotz, evidently modeled after postwar suburbs like Levittown, N.Y., the children are carbon copies who bounce their bouncy balls in eerie unison. In the end, Meg learns that she has had the tools—critical thinking and boundless love—required to save her father all along.

The tale almost never saw the light of day. Unlike L’Engle’s previous novels, this one puzzled publishers. Some rejected it because they believed its themes too challenging for young readers. Some objected to its portrayal of evil, and still others wouldn’t bet on a female sci-fi protagonist. All told, it met with some 26 rejections before Farrar, Straus and Giroux took a chance. The book, the first in what would come to be known as the Time Quintet series, hasn’t gone out of print since. As of its 50th anniversary in 2012, Wrinkle had sold more than 10 million copies worldwide.

After its publication, Wrinkle was controversial. It’s still one of the most frequently banned American books, in the company of censored classics The Catcher in the Rye (profanity) and Charlotte’s Web (talking animals). Most objections were made on the grounds that it was un-Christian. The book is reverential of Jesus, but it also equates him with historical geniuses like da Vinci and Gandhi. (L’Engle was a Christian.) The book promotes, according to critics, witchcraft, divination and a “new age” approach to spirituality.

L’Engle, who died in 2007 at 88, eventuallycame to accept the great publicity attempts to censor Wrinkle proffered. Not that the book, which won the Newbery Prize in 1963, needed it. Its influence helped launch a new generation of fantasy writers and new types of books that didn’t quite fit in any one section of the library. Not least among the reasons Wrinkle was so novel and widely read: its hero was a girl.

Watch the Wrinkle In Time Trailer

DuVernay wasn’t exactly expecting the call from Disney. “Women directors, we’re not getting people just saying, ‘Hey, let’s talk about this $100 million sci-fi epic,’” she says, sitting beside her cast a short while after TIME’s cover shoot for this story. She says she didn’t accept the job immediately when the studio offered it in 2016. She had never read A Wrinkle in Time. Both she and longtime collaborator Winfrey, who grew up in Compton, Calif., and Milwaukee, respectively, say it “missed” their neighborhoods.

DuVernay says a challenge issued by Tendo Nagenda, the Disney executive who put the script in her hands, kept nagging at her. “Ava, imagine the worlds you can create,” she recalls him saying. “And I said, ‘Worlds?’ He said, ‘There are planets, and you get to decide what they look like.’ I was just like, ‘I do?’” DuVernay gets a little emotional, recalling the feeling: “How many women hear that? How many people of color hear that?”

At the mention of Nagenda’s name, Winfrey sits straight up, assuming a meditative position with thumbs to fore-fingers, and repeats in her unmistakable alto: “TEN-Do Na-Gen-Da.” The room erupts into a chorus of reverential murmurs: “Ten-Do Na-Gen-DA.”

DuVernay, who started out as a film publicist, launched her filmmaking career with low-budget indies, including Middle of Nowhere, which earned a directing award at Sundance in 2012. In 2015, her drama about Martin Luther King Jr., Selma, was nominated for an Oscar for Best Picture. Wrinkle will make DuVernay the fourth woman to solo-direct a movie with a budget over $100 million and the first -African-American woman ever to do so. People can’t seem to stop asking her about that, including TIME. She sums up all these conversations: Question: “Girl, how did you do it?” Answer: “Same way he did it!” “I’ve made films for $50,000,” she says. “So when people say, ‘How are you managing $100 million?’ It’s like, ‘Quite well.’”

When it came to envisioning Wrinkle’s worlds, the first thing DuVernay saw was not topography but faces. She wanted Meg to have brown skin, and the three Mrs. to be “black, white and someone who wasn’t either,” as well as different sizes, faiths and ages. “I wasn’t just casting for actresses. I was casting for leaders—icons,” she says. “Reese is the hottest producer in town. Oprah’s the most prolific, venerable legend of television and an artist and entrepreneur. And Mindy’s one of the few women running a show with her name, about her.” She looks at the faces to her left and right. “When I think about the three of them together as a unit of celestial beings, it feels right.”

Those celestial beings include Mrs. Who, who speaks almost exclusively in the words of Buddha, Euripedes and others. (In the film, she references such contemporary philosophers as Justin Bieber and Jay-Z.) DuVernay chose the “Chaplin-esque” Kaling to play her. Mrs. Whatsit, played by Witherspoon, is the youngest at 2,379,152,497 years old, and the kookiest. And for Mrs. Which, the oldest and most enlightened, DuVernay didn’t have to think twice. “There’s not even a question if you’re trying to have the all–knowing, wisest lady in the universe, who happens to be one in real life, and you have her phone number.” You just call up Oprah Winfrey, who starred in Selma and executive-produces DuVernay’s TV series Queen Sugar on OWN. “Who else would you get?” Winfrey asks, half-joking.

For the role of Meg, DuVernay auditioned about 70 girls. Reid, who had had a few small roles in films including 12 Years a Slave, was among the first the director saw. “She became the benchmark for what I was looking for,” says DuVernay. The director adds that hiring a mature young actor whom adults could relate to was crucial. “I don’t have kids for a reason,” says DuVernay, patting Reid’s knee affectionately as if to say, “No offense.” “My films are my children.”

During the photo shoot, the women had patiently heeded directions from the photographer as a gaggle of makeup artists, stylists, publicists, assistants and a burly bodyguard type looked on. Reid, resplendent in a Gucci gown, showed uncanny poise. You might have mistaken her for older than 14 if not for her eyes. After every click of the shutter, they searched the crowd for her mother’s face, looking back at her with reassurance.

Reid, who grew up in Atlanta, seems to understand fundamentally the character she’s playing. For her, the movie is “about knowing that you’re going to go through dark spaces in your life. You’re not going to be perfect, but the most important thing is not trying to please anybody. It’s loving yourself inside out.”

“It’s just a different perspective, and you don’t get that until we start to have powerful filmmakers of different colors, different genders.” -Reese Witherspoon

So why did it take nearly six decades to get here? Everything that could go wrong, did. When Hand first began trying in 1979, she was working as an assistant to the legendary TV producer Norman Lear. She asked if he’d read the book and, although he liked it, he didn’t see it as a fit for himself. She persuaded the head of his production company to acquire the rights. From that point on, it was one step forward, two tessers back.

Hand had one big advantage in her efforts to make the movie. Three days after reaching out to L’Engle to inquire about the rights, she was sitting across from her childhood idol at the World Trade Center’s Windows on the World restaurant, the first meeting in what would become a long friendship. Hand was in her 20s and L’Engle in her 60s.

In 2003, Hand worked with Disney to produce a made-for-TV movie. Thanks to budget constraints, among other issues, the adaptation turned out bland and uninspiring. It disappointed audiences, L’Engle and Hand. “This is not the dream,” Hand recalls telling herself. “I’m sure there were people at Disney that wished I would go away.”

Storm Reid

Nagenda wasn’t one of them. In 2013, Disney’s executive vice president of production decided he wanted to try again. Nagenda, one of Hollywood’s highest-ranking African-American executives, was born in the U.S. but spent a formative part of his adolescence in his father’s native Uganda. At Disney, he has shown a particular talent for helping transform old stories for new times. And after Frozen, executives discovered that A Wrinkle in Time had been writer–director Lee’s favorite book as a child. Hand says the rest “was kismet.”

Lee was everything Hand had been searching for decades earlier. Aside from her success with Frozen, which won two Oscars, Lee also had a fascination with the intersection between science and faith. That Wrinkle is equally reverent of the two, rather than treating them in opposition, is no less significant in 2018 than it was in 1962. The studio brought a draft to DuVernay more than 20 years after Disney first acquired the rights to Wrinkle.

On a warm spring morning in Santa Clarita, Calif., Reid is flying. Her spring-loaded curls are taking on a life of their own, thanks to giant fans just out of frame. Eventually, the blue screen behind her will be replaced with billowy clouds against an impossible sky. The movie’s visuals are more than a little weird, something like the results of a highly productive LSD trip. “Men who are doing sci-fi I don’t think are having as much fun in the makeup, hair and clothes as we did,” says DuVernay.Winfrey’s hair, perched above her rhinestone-bedazzled brow, alternates between voluminous Earth Mother curls and Frank Gehry splines, for example. Kaling’s kaleidoscopic costumes borrow from cultures across the globe and, well, Witherspoon sports shamrock lip gloss and a tangerine bouffant.

It wouldn’t be farfetched to describe the set, both on location in New Zealand and on the Disney lot in California, as a matriarchy. DuVernay recalls the rapid formation of a sisterhood. “The men, you know, who knows?” she jokes, before clarifying that the guys, including Chris Pine and Zach Galifianakis, who play Meg’s father Dr. Murry and a soothsaying mystic called the Happy Medium, respectively, were lovely people. “But it was something special with the ladies.”

I mention that the women’s social–media posts against the backdrop of New Zealand’s vivid greens and blues were enough to inspire FOMO, short for the “fear of missing out.” There’s confusion:

“What’s FOMO?” asks DuVernay. She turns to Winfrey: “Did you know?”

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Winfrey nods.

Kaling chimes in: she has it regularly, in fact, “pretty acutely.”

Winfrey says that Gayle King, her best friend, has it too. “She’ll fly across the country for your birthday party.”

Kaling says making this movie was more than just a refreshing dose of woman power. “The essential quality of Ava is not, to my mind, tied to her woman-ness. It’s tied to her Ava-ness.” It began with an exacting attention. Lee recalls DuVernay asking, “Can you think on this scene and sort of lean into how to disprove Einstein’s theory of relativity?’” She laughs, “I was like, ‘Sure, no problem.’”

DuVernay’s demands weren’t only -production-related. “I’ve never seen somebody demand inclusiveness like that,” says Witherspoon, who has worked in Hollywood for 25 years. “It’s just a different perspective, and you don’t get that unless we start to have powerful filmmakers of different colors, different genders. You’re just gonna have the same 20 dudes making the same 20 movies over and over and over again.” Winfrey agrees. “I looked at her in her jeans and sneakers and those dreads out there calling it,” she says. “It’s just the coolest damn thing to watch her with those big-ass machines. It just feels like, O.K., next generation: there you are.”

Despite its mega-budget, its global fan base, its award-winning writer and director, its all-star cast and, yes, even despite the presence of Oprah, there’s no guarantee A Wrinkle in Time will be a hit. Or the adaptation L’Engle and Hand always envisioned. Online shops from Walmart to Etsy sell T-shirts that read, The book was better. Twitter is already flooded with messages from fans begging Disney not to ruin their childhoods. “I used to laugh with Madeleine, and she knew it too,” Hand says wistfully. “I mean, jeez—you always have the book.”

A Wrinkle in Time, the movie, will come out at a time much like the one during which Hand was planning to lobby Mr. Disney. Audiences clearly want a balance between escapism and reality, stories that leave them feeling good, but not without some prodding to examine the world around them. “There’s a particular person that I feel like is the root of all darkness and evilness that’s going on in the world right now,” says Reid. Her director and co-stars widen their eyes. A few bob their heads in approval. “Smart girl,” murmurs DuVernay.

But that’s not why this group believes Wrinkle will matter. Reid says, “Before I got this role, I wanted there to be more little girls that look like me on TV and in lead roles.” Says Winfrey, “When you don’t see yourself, there is a subconscious psychological manifestation. It’s diminishing.” But to see yourself as the savior of a world threatened by unquantifiable evil? “That will have impact far beyond anything any marketer, any researcher, any of us even know.”

—With reporting by Sam Lansky/Los Angeles

This story appears in the Dec. 25 issue of TIME. Go behind the scenes of the cover shoot with photographer Michal Pudelka at Milk Studios in Los Angeles.